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Home > Man & His Life > Timeline > 1980's
Timeline: 1980 - 1989
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1980 |
Steve Anderson, from Vermillion
Editions in Minneapolis, comes to New York to help Close create his
fingerprint lithographs, including Phill/Fingerprint.
Close Portraits, Walker Art
Center, Minneapolis, Septermber 28-November 16, 1980. Traveled to The Saint
Louis Art Museum, December 5, 1980-January 25, 1981; Museum of Contemporary
Art, Chicago, February 6-March 29; and Whitney Museum of American Art, New
York, April 14-June 21. Catalogue, text by Martin Friedman and Lisa Lyons. |
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1981 |
Close begins working with
independent printer and papermaker Joe Wilfer on an edition of pulf-paper
works at Dieu Donné Papermill,
in New York City. |
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1982 |
Chuck Close: Paperwork,
Richard Gray Gallery, Chicago, September-October 1982. Traveled to John
Stoller Gallery, Minneapolis, October-November; Jacksonville Art Museum,
Florida, December 10, 1982-January 19, 1983; Greenberg Gallery, St. Louis,
September 10-October 15. |
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1983 |
Begins fingerprinting in color, the first work being John/Color Fingerprint. |
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1984 |
Chuck Close: Handmade Paper
Editions, Herbert Palmer Gallery, Los Angeles,
February 4-March 16, 1984. Traveled to Spokane Center Gallery of Art, Eastern
Washington University, Cheney, April 5-May 12; Milwaukee Art Museum, June
1-September 30; NIU Art Museum, Northern Illinois University, De Kalb,
October; Columbia Museum of Art, South Carolina, November 18, 1984-January
13, 1985. Catalogue, text by Richard H. Solomon.
Begins applying the fingerprint technique to
painting, Georgia/Fingerpainting is the first work in this technique. |
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1985 |
Close creates a series of eleven
fingerprint etchings at Graphicstudio in Tampa, with master printer Deli
Sacilotto. Working in a method called direct gravure, the artist
draws using his inked fingers, although this time on sheets of Mylar rather
than directly on the printing plate.
Chuck Close:
Works on Paper, Contemporary Arts Museum, Houston, February 9-April 21,
1985. Brochure, text by Edmund P. Pillsbury. |
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1986 |
Close creates his first
Japanese-style woodblock print, Leslie, working in Kyoto with Japanese
master printer Tadashi Toda and master carver Shunzo Matsuda.
Chuck Close: New Etchings, Pace
Editions, New York, February 12-March 22, 1986. |
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1988 |
Works in New York with renowned
French master printer Aldo Crommelynck on his first spitbite aquatint,
Self-Portrait.
Close also completes Lucas, a seven-step reduction
block/linoleum cut print, working with Joe Wilfer, Ruth Lingen, and Kathy
Kuehn at Street Workshop in New York.
Chuck Close: Prints and Photographs,
Pace Editions, New York, September 23-October 22, 1988.
Close is stricken with severe chest pain
followed by an intense convulsion, which initially leaves him paralyzed from
the neck down. He is diagnosed at the Tisch Hospital, at NYU medical center. |
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1989 |
Chuck Close, The Art Institute of
Chicago, February 4-April 16, 1989. Traveled to The Friends of Photography,
Ansel Adams Center, San Francisco, November 8, 1989-January 7, 1990.
Catalogue, text by Colin Westerbeck.
Chuck Close
Editions: A Catalogue Raisonn
and Exhibition, The Butler Institute of American Art, Youngstown, Ohio,
September 17-November 26, 1989. Catalogue, text by Jim Pernotto.
Chuck Close: Works on Paper, Aldrich Museum of
Contemporary Art, Ridgefield, Connecticut, October 29, 1989-February 25,
1990. |
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